Sale continued his partnership with Loeb through the early aughts, launching their Marvel Color series with DAREDEVIL: YELLOW in 2001. In 1999, Sale also won Eisners for Best Penciler/Inker for Superman for All Seasons and Best Short Story in Grendel Black, White, and Red #1 with writer Matt Wagner. His work with Loeb on Batman: The Long Halloween and Batman: Dark Victory won Eisner Awards in 19 respectively. He then hit his stride in the early 1990s, working for both Marvel and DC, often with Loeb on a multitude of titles, including X-MEN ANNUAL #18 (1994), WOLVERINE & GAMBIT: VICTIMS #1 (Sept. His first penciling job was the fantasy anthology series Thieves’ World in 1985, in which he worked alongside Lynn Abbey and Robert Lynn Asprin. In 1984, he began working as an inker on Myth Adventures from WaRP Graphics. In 1976, Severin invited him up to Marvel’s Bullpen, though he wouldn’t work on Marvel comics until much later. During this time, he took a three month-long workshop, learning anatomy from John Buscema, inking and storytelling techniques from John Romita Sr., and design and storytelling from Marie Severin. As a young man, he studied at the University of Washington for two years before continuing his studies at the School of Visual Arts in New York.
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